David H. Steinberg
David H. Steinberg grew up in West Hartford, Connecticut, entered Yale at age 16, and earned his law degree from Duke University, where he served as editor-in-chief of the law review. After four years of entertainment law in Atlanta and New York, he abandoned his legal career to attend U.S.C.’s Peter Stark Producing Program.
Steinberg broke out as a writer in 1999 with his teen comedy SLACKERS that ignited a bidding war for the script. The movie starred Devon Sawa, Jason Schwartzman, and model Jaime King and became an instant cult classic.
Steinberg was immediately hired by Universal Studios to pen the sequel to the smash hit AMERICAN PIE, and as a result, that movie had the highest gross of all the films.
In another high profile script sale, AFTER SCHOOL SPECIAL was made into Steinberg’s third teen comedy, starring Amy Smart, Tom Arnold, and Horatio Sanz. Steinberg served as co-producer on that film, released in 2005 by Sony as NATIONAL LAMPOON’S BARELY LEGAL.
In addition, Steinberg has worked extensively within the studio system, writing for DreamWorks, Universal, Sony, Disney, Fox, MGM, Warner Brothers, New Line, and Paramount. Projects in development include the high concept comedy OTHER PEOPLE’S WISHES for Warner Brothers; the remake of the classic 1980’s comedy PORKY’S; the big-budget ANUBIS TAPESTRY for Fox Animation Studios; and the sequel to the 1979 classic comedy LOVE AT FIRST BITE for MGM.
Last year he wrote the New Line family comedy FURRY FRIDAY about a cat and dog switching bodies; and his movie PUSS IN BOOTS, the feature spin-off of SHREK 2, was released in theaters everywhere on November 4. PUSS IN BOOTS received an Annie, a Golden Globe, and an Academy Award Nomination for best animated feature film.
In television, Steinberg has written several sitcom pilots for Fox, UPN, Paramount TV, and ABC Family.
On the directing side, Steinberg directed the award-winning short film, THE BABYSITTER, and the feature film MISS
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Steinberg broke out as a writer in 1999 with his teen comedy SLACKERS that ignited a bidding war for the script. The movie starred Devon Sawa, Jason Schwartzman, and model Jaime King and became an instant cult classic.
Steinberg was immediately hired by Universal Studios to pen the sequel to the smash hit AMERICAN PIE, and as a result, that movie had the highest gross of all the films.
In another high profile script sale, AFTER SCHOOL SPECIAL was made into Steinberg’s third teen comedy, starring Amy Smart, Tom Arnold, and Horatio Sanz. Steinberg served as co-producer on that film, released in 2005 by Sony as NATIONAL LAMPOON’S BARELY LEGAL.
In addition, Steinberg has worked extensively within the studio system, writing for DreamWorks, Universal, Sony, Disney, Fox, MGM, Warner Brothers, New Line, and Paramount. Projects in development include the high concept comedy OTHER PEOPLE’S WISHES for Warner Brothers; the remake of the classic 1980’s comedy PORKY’S; the big-budget ANUBIS TAPESTRY for Fox Animation Studios; and the sequel to the 1979 classic comedy LOVE AT FIRST BITE for MGM.
Last year he wrote the New Line family comedy FURRY FRIDAY about a cat and dog switching bodies; and his movie PUSS IN BOOTS, the feature spin-off of SHREK 2, was released in theaters everywhere on November 4. PUSS IN BOOTS received an Annie, a Golden Globe, and an Academy Award Nomination for best animated feature film.
In television, Steinberg has written several sitcom pilots for Fox, UPN, Paramount TV, and ABC Family.
On the directing side, Steinberg directed the award-winning short film, THE BABYSITTER, and the feature film MISS
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Featured Contributor in Movies
Education/Experience
Yale, B.A.; Duke Law School, J.D.; USC Film School, M.F.A.Affiliations
WGA, Facebook, Twitter, Done Deal, 05/16/2012, 05/16/2012, 05/16/2012, 05/16/2012, 05/16/2012, 05/16/2012Featured Content (1 of 1)
Displaying Results 1 - 14 (of 14) for All Content
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'The Avengers' a Triumph of Characters: A Screenwriter's Take'The Avengers' succeeds because it's built on characters with strong points of view about each other.Also published on:
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Why 'The Hunger Games' Stumbles: A Screenwriter's Take'Hunger Games' the movie lacks Katniss' inner monologue from 'Hunger Games' the book -- and so it's doomed to underwhelm.Also published on:
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'Project X' and the Future of Teen Comedies: A Screenwriter's TakeScreenwriter David H. Steinberg of 'American Pie' fame discusses 'Project X,' teen comedy movies, and why audiences prefer good stories to real ones.Also published on:
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Take It From a Pro: A Screenwriter's Ego Is Never Safe in HollywoodOne of the drawbacks of working as a film writer is constantly being made to feel that you're not successful enough.
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How to Get an Agent to Read Your ScreenplayScreenwriters figure things out, and this is how I figured out how to get an agent to read my script.
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How to Get Your Screenplay Done, Complete, Fade Out, The EndIt doesn't matter how many hours a week you spend on your writing, what matters is that you spend that time on your writing. Here's how to create and stick to a writing schedule -- a must for any writer.
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How to Fail in Screenwriting While Really TryingScreenwriting is hard to break into; everyone knows that. But how hard? Pro screenwriter David H. Steinberg ("Slackers," "Puss in Boots") gives you the painful truth.Also published on:
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Screenwriter's Review of 'Hugo''Hugo' shines as a rich visual movie with equally compelling characters.
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Screenwriter's Review of 'The Artist''The Artist' is no gimmick, delivering a great story with great characters.
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Oscar Season: That Bitter Time of YearNo one outside the movie business seems to understand what the Oscars mean to the people who work in this town. -
Screenwriter's Review of 'Bridesmaids''Bridesmaids' succeeds in no small part due to strong, compelling characters; well-executed comedy; and heart.
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Screenwriter's Review of 'Midnight in Paris'While 'Midnight in Paris' is an enjoyable film, it doesn't warrant an Oscar for Best Original Screenplay due to its deficiencies in three basic areas.
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How to Create a Killer Outline for Your ScreenplayMost scripts fall down because writers don't do the hard work of outlining their plot and character beats. This guide shows you step by step how to make an outline that really sings.Also published on:
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How to Break Into ScreenwritingThere's a lot of advice out there on how to break into Hollywood. Unfortunately, most of it is wrong. Here's the real deal on how to get your script made into a movie.















