Sarah Scott

Sarah Scott is a former film development executive currently working in marketing in Los Angeles.
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7/1/2005

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  • Lady in the Water: Shyamalan's Latest Film a So-So Effort
    Fans may be disappointed with the film's lack of a twist and with its crude storytelling. But if you give over to your inner child, Lady in the Water can take you back to a time when bedtime stories were pretty damn exciting.
  • Aquamarine : New Mermaid Movie Flops
    Directed by first-time feature helmer Elizabeth Allen, Aquamarine is so technically slapdash and unabashedly fluffy that there's hardly anything for even the forgiving audience of tweener girls to sink their teeth into.
  • Brokeback Mountain Best Picture of the Year
    Though its reputation as "that gay cowboy movie" is mounting, the homosexuality in Brokeback Mountain is in fact not the focal point of the movie-it's merely the obstacle that prevents two star-crossed lovers from being able to live happily ever after.
  • Weather Man Forecast Gloomy
    The Weather Man joins the recent, saturated pantheon of coming-of-age movies centered on middle-aged, upper-middle class, angsty white men.
  • Jarmusch is Back on Top with BROKEN FLOWERS
    In his new film, BROKEN FLOWERS, Jarmusch and his current muse, Bill Murray, redefine understated, deadpan filmmaking to delightful effect.
  • Roos Delivers Happy Endings
    Seven years after The Opposite of Sex, writer-director Don Roos returns to similar territory with the cheeky ensemble romp, Happy Endings.
  • DARK WATER a Frightening Dud
    In the tread of THE OTHERS and THE RING 1 & 2, DARK WATER is the latest ghostly horror flick to deal with Mommy Issues. What it's lacking, however, that the others weren't, are the scares.
  • Miranda July's ME and YOU and EVERYONE WE KNOW a Promising Debut
    Miranda July's film, ME AND YOU AND EVERYONE WE KNOW, is a welcome breath of fresh air amid the regurgitated Hollywood fare of late.

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